A Story of Blood
by Crow
Prologue
Nicomedia, Turkey, 1112 A.D.
Every day precisely at noon the men would come. Merchants from Italy, they showed up at Najara's door, first with exotic gifts and sweet words, rich foods and spices, fine wools and silks suitable for weaving. They had traveled many dangerous miles to this remote town, they told her, to purchase a small object they believed she would never miss.
And when Najara refused to sell, the merchants' demeanor changed. They did not like the small, arid town, these merchants with their red silk tunicas trimmed in gold brocade. They did not like being refused, especially by a woman who fed herself and her daughter by the loom. Their words lost their former eloquence, became short and demanding. Even their very knocks on the door betrayed their contempt for her.
And still Najara refused to sell. So, when the knock sounded on her door again, Najara wasn't surprised. Until, she noticed the knock was respectful this time. She exchanged glances with her daughter, Roma, who she had been teaching how to carefully dye and spin the wool.
“Go to the other room. Stay quiet,” she instructed, and without a word Roma hurried to the adjacent room, pushing aside the rough wool blanket that separated the two rooms and letting it fall behind her. Curious, Najara walked to the door and opened it. Instead of the two surly merchants she had come to expect, there stood an impeccably dressed woman with her two retainers. The lady was dressed in a simple green stola, the linen cloth draped around her comely figure, a hood covering her hair. The woman's arms were adorned with silver bracelets and armbands. An intricate asp chocker showcased a long, slender neck. The woman reached up and pulled the hood from her head. Her ebony hair was swept up and away from her face, with silver braiding entwined throughout it. The woman was beautiful, with warm brown eyes and a friendly smile. “Hello,” a melodious voice issued from rose-colored lips. “I hope I have not come at an inopportune time.” Najara shook her head no and beckoned the lady to enter. The woman smiled, then turned to the men behind her and spoke a few words, too low for Najara to catch. They nodded their heads and took positions on each side of the house, facing the road. Najara closed the door behind the lady and for the first time noticed her how shabby her house must look to this woman, the simple wooden table, the few, worn pots and dried herbs hanging from the mantle, the meager stores of food—and the offerings from the merchants, tossed carelessly in the corner near the fireplace. The lady gracefully made her way over to the standing loom, reaching out to touch the burnt orange, black, and gold threads weaving their diamond design. “This is quiet lovely,” she complemented Najara. “It's been years since I wove a carpet like this,” she said wistfully. “You, my lady? Are you from this area?” Najara boldly asked. The woman smiled and nodded her head. “My sister and I were born in Constantinople. We moved to Naples when I married.” Najara motioned for the lady to sit at the table before taking her place across from her. “But I am being rude. My name is the Countessa Mirat di Borghese, but please call me Mirat. May I call you Najara?” Najara nodded her head in agreement, and Mirat continued. “The merchants who have been coming to see you work for my husband, but I could tell that you were too shrewd for them. We were accomplishing nothing but wasting time.” She favored Najara with a conspiratorial smile. “I thought it was time for the ladies to talk.” “I am no lady,” Najara protested, “and I am not trying to be ‘shrewd,' as you say. I am afraid that the answer is the same for you as it was for your men. I cannot sell the flask.” Mirat waved a dismissive hand. “There is time enough for that discussion later. First, tell me about the item.” “My lady…” Najara began. “Mirat,” the lady corrected with a firm tone. “Mirat, if you want the item so much, then I am sure that you do not need me to tell you about it.” Mirat gave a short smile. “And you say you are not shrewd,” she declared. When Najara opened her mouth to protest, Mirat held up a hand to stop her. “Please, I meant nothing by that. And you are correct, I do know a great deal about the relic's history and background. But you, my dear, possess a familial history of the piece. Your family has cared for it for over 300 years, correct?” Najara nodded her head reluctantly. “I would be most interested in hearing your story, Najara.” Najara hesitated. Her guest's demeanor was nothing but polite and interested, but suddenly she caught a glimpse of something else, something ruthless, predatory. Her mind raced, thinking about Roma in the other room, trying to figure out how to best protect the relic and her daughter. Perhaps she could convince the woman that the flask needed to remain with Najara, where it would be safe. “You want to know about the relic? Over three hundred years ago a brave and noble young man from this very village became the physician of Emperor Galerius Maximan,” Najara paused and looked out the open window, past the two retainers standing guard outside her house, past the rolling hills and green fields. From across time, she heard her mother's voice telling a young Najara a story of the blood, a story passed from mother to daughter for many generations. “St. Pantaleon's skill as a physician was unrivaled. Being a pious man, he began to distribute his wealth and possessions to the poor Christians of Nicomedia, spending as many hours treating the poor as he did the Emperor and his courtesans. Pantaleon sought no glory or riches, but his fame increased, causing his fellow physicians to become jealous and plot his overthrow. “The Emperor, who owed his life countless times to Pantaleon's miraculous skill, secretly begged Pantaleon to flee persecution, but Pantaleon refused. He and two of his closest companions were arrested. His friends were beheaded, each refusing to renounce the brave physician, but Pantaleon's ordeal would last one more day. He was subjected to indescribable torture—six different attempts were made on his life.” “Yes, yes,” Mirat interrupted. “Pantaleon's captors tried to kill him by burning, molten lead, drowning, wild beasts, the wheel, and the sword.” She leaned toward Najara, like a close friend ready to share a particularly delicious secret. “Is this really true? Why could Pantaleon not be killed?” Najara blinked in confusion. “My lady…his life was spared then because he was favored in the eyes of our Lord.” Disgust crossed the graceful features of the other woman. “Yes, yes,” she muttered, in agreement and waved Najara on. “Continue.” “The Lord chose to end Pantaleon's trials the next day when he was beheaded, like his friends. During his public persecution, his blood was collected in a flask by one of my ancestors, a woman who recognized the divine spark in the martyr. For over 300 years, the blood has been passed down from mother to daughter in my family. It is truly a miracle of God—a miracle that must be protected from those who would try to exploit its divine powers,” Najara finished, giving the other woman a direct look. Mirat seemed unconcerned. “Yes, a noble gift indeed. How quick thinking of your ancestress to collect the blood of a martyr, even before it grew cold.” “My ancestress was an honorable and devout woman.” “But of course, of course. Devout…as you are.” “I am but a humble servant of our Lord. It is my job to keep the relic safe, as one day it will be my daughter Roma's job to do the same.” Mirat's eyes narrowed. “Yes, I can see you are dedicated to your mission.” She stood up and walked over to the mantle, picking up a cloth doll of Roma's. She looked over to the next room, smiled at the quick jerk and shuffle as little feet moved hastily away from the curtain. “And I am sure you are also a good mother, as well as a humble servant of God. But I must have the relic, and I am running out of time” Mirat dropped the doll and pulled out a long, slender wooden stick from the folds of her dress, pointing it at Najara. “Imperius,” she barked. Najara jerked and remained sitting, fixing a blank stare on Mirat. “Now you must obey me, Najara. Is the relic here, in this house?” A voice inside Najara's mind screamed, but she slowly, painfully, nodded her head in agreement. “Get it for me,” Mirat commanded and Najara was forced to obey, heading to the bin where she kept the potatoes and onions, digging around until her hand hit the wooden box. She pulled it out and handed it to Mirat, who reverently opened the box, her fingers caressing the velvet encased flask inside. She pulled out the ornate flask, ruby colored blood swishing inside—the blood of a martyr 300 hundred years old. Something inside of Najara's mind broke, and she felt her will returning, fear driving her to reach for the box. “No, I will die before I see the relic used for evil,” she cried. Mirat snarled and pointed the wand again. “So be it,” she said. “Avada Kedavra.” Najara saw a flash of green, then she knew no more. ….. Mirat stood transfixed, ignoring the dead woman in front of her, holding the flask to the light coming in the windows, watching color bounce off the ruby liquid. After all this time, she thought, when suddenly a bundle of rags knocked into her, the girl, running to tend to her dead mother. How quaint. She paid little attention to the girl's sobs as she walked over to the door, opened it, and walked out. The men moved toward her. “Were you successful, my lady?” the older man asked. “Yes,” Mirat informed him, holding the box close to her chest. “We leave for Italy tonight.” “What shall we do with the child?” “The world does not need another orphan. Burn down the house,” Mirat instructed, moving toward the carriage waiting for her. She stopped and turned back. “But bring me the unfinished carpet and the supplies,” she said. The man nodded, walked inside the house, and closed the door behind him. ….. |